![]() With the show encompassing hundreds of Snapshots to manage a considerable number of inputs and outputs, Anthony was able to pre-program the production using DiGiCo’s offline editor during rehearsals. “Knowing that Captivate AV had acquired a Quantum 338, I was overjoyed when we were able to use it for our College’s musical theatre production.” “I have personally been a DiGiCo user for more than a decade and we currently have an SD11 as the primary console for our College theatre,” he said. Recently employing the system for use in a school production of Disney’s Beauty and the Beast, Theatre Manager Anthony Kissick was elated at the opportunity to use the console. Hillcrest Christian College, a Gold Coast-based education centre and Captivate AV client, were equally impressed with the Quantum 338. ![]() We are looking forward to deploying it with our larger multi-console setups.” “The KLANG DMI card is a useful tool and we have recently added a KLANG:konductor to our inventory, which we can also loop in via HMA fibre. “We have been using KLANG IEM processing since it became a part of the DiGiCo infrastructure and love being able to roll out great sounding in-ear mixes with ease,” Lang explained. Taking full advantage of the 338’s extensive DMI interface options, Captivate AV have loaded their console’s DMI ports with Dante connectivity and KLANG immersive in-ear mixing. “After running it through some gigs, we really got used to having channels across three bright and responsive touch screens – something hard to go back from! Nodal processing came in handy on some effects busses, being able to EQ and compress things a little differently through different wedges, without having to duplicate channels for particular sends was a really impressive touch.” Adding in the Chilli 6 on the Spice Rack was really the icing on the cake for what can now be achieved on board,” he added. We also enjoyed applying some of the new Mustard compressors, which bring new life to traditional band instruments. “Upon first firing up the Quantum 338 and running some multitracks through it, we were pleasantly surprised by how much nicer the effects processing came across. Despite all the onboard technical enhancements, the console remains notably compact. Offering a generous array of features that meld DiGiCo’s hallmark workflows with increased processing power and connectivity, the Quantum 338 packs an innovative punch. The Quantum’s I/O capacity is unmatched, and we can safely put the console in any situation with confidence that audio will make it to its destination – wherever needed, and by whatever means required.” With high demand for fibre systems from the touring market, this was a must and integrates nicely with our SD10 which is already on fibre. “When the Quantum series was released, it was clear this was a new era of audio consoles and we wanted to be on the leading edge. As our need to supply larger systems grew, we added a SD8-24, SD10-24 and S21 to our inventory, along with various racks and connection accessories,” he said. ![]() “When we started Captivate AV, each had our own SD11i console with D-Racks. Bolstered by the robust foundation of its existing DiGiCo ecosystem, and the company’s enthusiasm for cutting edge technology, Director, Chris Lang outlines Captivate AV’s investment in a DiGiCo Quantum 338 mixing console. Spearheaded by founders Chris Lang and Russell Baker, Captivate AV’s wealth of industry experience and attentive client care informs its reputable approach. Gold Coast-based Captivate AV invests in a DiGiCo Quantum 338 mixing console to raise production values. ![]()
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